| 1. Daydream |
| 2. The Dawn After The Storm (I. Awakening/II. Walking Through The Fields/III. Beyond The Horizon/IV. Homeward) |
| 3. Never |
| 4. Tocando Voce |
| 5. The Fortress |
| 6. Preludio De Sevilla |
| 7. The Sight |
| 8. O Dom De Voar |
| 9. Discover |
Editorial Reviews
Product Description
TEMPUS FUGIT (Keyboards, guitar, bass & drums) performs an elegant and elaborated Progressive rock, style, subtly balancing lyricism and South American refinement (Like TREM DO FUTURO, ESPIRITU or CRUCIS) with a melodic and instrumental luxury and a romantic Italian sophistication (PREMIATA FORNERIA MARCONI or LOCANDA DELLE FATE). Those brilliant guitar-keyboard combinations evoke YES at their best, whereas the guitar arpeggios remind of Steve HACKETT and the lively parts blending keyboards and guitars get closer to those epic crescendos typical of MARILLION. After issuing the great "Tales From The Forgotten World", "The Dawn After The Storm" was released by Musea the following year, confirming why there were so many things expected from this band. The style presented on this album reminds of the previous works, even though it introduces a more mature band that could even sound like CAMEL’s best works. The embellishing guitar interludes accompany perfectly the excellent acoustic instrumentations, taking influences from flamenco masters and even from a man called (Some of you will be surprised…) Marcel DADI…
TEMPUS FUGIT (Keyboards, guitar, bass & drums) performs an elegant and elaborated Progressive rock, style, subtly balancing lyricism and South American refinement (Like TREM DO FUTURO, ESPIRITU or CRUCIS) with a melodic and instrumental luxury and a romantic Italian sophistication (PREMIATA FORNERIA MARCONI or LOCANDA DELLE FATE). Those brilliant guitar-keyboard combinations evoke YES at their best, whereas the guitar arpeggios remind of Steve HACKETT and the lively parts blending keyboards and guitars get closer to those epic crescendos typical of MARILLION. After issuing the great "Tales From The Forgotten World", "The Dawn After The Storm" was released by Musea the following year, confirming why there were so many things expected from this band. The style presented on this album reminds of the previous works, even though it introduces a more mature band that could even sound like CAMEL’s best works. The embellishing guitar interludes accompany perfectly the excellent acoustic instrumentations, taking influences from flamenco masters and even from a man called (Some of you will be surprised…) Marcel DADI…
The Dawn After The Storm,Tempus Fugit,Musea/Rock Symphony
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