| 1. Maldonne |
| 2. Prélude A L'Enfer |
| 3. Bla Bla Bla |
| 4. Le Rat Débile Et Le Rat Déchanté |
| 5. Vers Demain |
| 6. Curriculum Vitae |
| 7. Maria |
| 8. A Tombeau Ouvert |
| 9. Rien Ne Va Plus |
| 10. Rétrospective |
| 11. Ne Dis Jamais… |
| 12. Photo De Mariage |
| 13. Lulu |
Editorial Reviews
Product Description
Even on its first record "L'Escapade" (1974), MONA LISA appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by ANGE. The emphasis, the sensibility, the vocal subtlety of Dominique Le GUENNEC goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke GENESIS, due to its melodical impact and the alchemy shown between voices and instrumental parts. The group got better with each album. "Grimaces" (1975) and especially "Le Petit Violon De Monsieur Grégoire" (1976) are two different landmarks of their technical maturity, that is evident thanks to a Steve HACKETT style of guitar and the growth of the singer’s vocal power and charisma. A true landmark of the Seventies French Progressive rock scene !
Even on its first record "L'Escapade" (1974), MONA LISA appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by ANGE. The emphasis, the sensibility, the vocal subtlety of Dominique Le GUENNEC goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke GENESIS, due to its melodical impact and the alchemy shown between voices and instrumental parts. The group got better with each album. "Grimaces" (1975) and especially "Le Petit Violon De Monsieur Grégoire" (1976) are two different landmarks of their technical maturity, that is evident thanks to a Steve HACKETT style of guitar and the growth of the singer’s vocal power and charisma. A true landmark of the Seventies French Progressive rock scene !
Vers Demain,Mona Lisa,Musea
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