American Bandstand

Editorial Reviews

Amazon.com
Wayne Horvitz calls American Bandstand "Zony Mash unplugged" in the CD's liner notes, a reference to this same ensemble's electric alter ego. With the identical lineup to Zony, Horvitz plays lyrical, stark piano throughout Bandstand. He opens with "Ben's Music," a quilted piece made of fragments that Horvitz and Young piece together over a gentle, off-time vamp. "Prepaid Funeral" has a puckish quality that owes a debt to Thelonious Monk, and elsewhere an assortment of moods waltz by. Most of Bandstand is very, very low-key. "In the Ballroom" is a funky exception, but even its groove comes more from Lowe and Young than from Horvitz. He's there, though, playing a hard-bop frame around the melody, giving it a brush of Horace Silver. As Horvitz showed eloquently on his Some Order, Long Understood trio with William Parker and Butch Morris in 1983, he's a master of piano moods. --Andrew Bartlett

American Bandstand,Wayne Horvitz,Songlines,Jazz,Jazz Music,Jazz-Funk,Modern Creative,Pop

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  2. Autumn Leaves [Import]
  3. Blue Moon [Import]
  4. Bottoms Up! [Import] [Limited Edition]
  5. Close
  6. Complete Live at Slug's Saloon Recordings [Live] [Import]
  7. Complete Vocalist Sessions [Import]
  8. Essential Charlie Parker [Import]
  9. Featuring David Amram [Original recording remastered] [Import]
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Jazz Music

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Prokofiev and Glazunov Violin Concertos

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