Maybe it's a bit unfair to begin a review of David Frazier's sharply realized debut, A Touch of Blues, by railing against another version of Sting's pretty-but-over-covered "Fragile," but the simple truth is that this multifaceted guitarist doesn't need something so obvious to show us what he's made of. On the other hand, this umpteenth cover of Carlos Santana's "Europa" is positively dreamy, and it gives Frazier seven minutes to modulate from sharp, crackling tones to distorted fuzziness.
Throughout, Frazier's fiery interaction with the Hammond B-3 of Tyrone Jackson hints at a soul rich in blues history. However, Frazier never lets it consume him. Next time, he should consider letting it. For instance, on "Spirit Dance," Frazier once again varies his tone from clean to fuzzy - this time atop a shimmering B-3 bed. However, Jackson's piano solo belies the edge that Frazier is aiming for. It's as if the guitar is being pulled back into Pleasantville when it really wants to burn a bit more.
As he aims for a distinctive sound, Frazier can't help but recall others who do the same type of thing. He simmers like Neal Schon and creates edgy electric melodies like Steve Laury. And surely, he soon will compete with fellow newcomer Gil Parris in the realm of bluesy smooth jazz.
--- Jonathan Widran, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.
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