Spider-man

Spider-man
Authors: Collectif
Catalog: Book
Media: Broché
Release Date: 07 July, 2006
Publisher: Pocket
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Customer Review:
This time around, pay attention to the skills of Steve Ditko
I started reading "The Amazing Spider-Man" with issue #62 and the appearance of Medusa (the Inhuman with the living hair). Eventually I worked my way back to the beginning, mostly through reprints of the early issues in "Marvel Tales." Once I got past the epic two-parter in issues #39-40 when the Green Goblin learned Spider-Man was really Peter Parker, I was not as impressed because the artwork for the first 38 issues was by Steve Ditko and not John Romita (Sr.). I was never really impressed by Ditko's artwork and when he left Marvel to work for Charlton comics I always thought those were pretty much the worst drawn comics around (except for the issue of "X-Men" that was Barry Smith's first work in comics). However, I have had a major change of heart. I am never going to be enamored of the way Ditko draws faces, but I have come to appreciate that the man was a master of composition in the field of comic books.

Collected within Volume 1 of the Marvel Masterworks series devoted to Spider-Man are his debut in "Amazing Fantasy" #15 and the first ten issues of "The Amazing Spider-Man." We all know about the radioactive spider, the death of Uncle Ben, and the lesson that with great power comes great responsibility. Stan Lee certainly created something completely different when he came up with a superhero whose bad luck was the only luck he had. But this time reading these issues just look at how Ditko sets up each panel, paying attention to both this compositional skills and his sense of pacing. In "Spider-Man" #8 there is a Spider-Man Surprise Extra in which "Spider-Man Tackles the Torch!" The short story is drawn by Jack Kirby and inked by Ditko. Compare it to the other stories and see how superior Ditko's layouts are. Kirby offers rather minimalist backgrounds to the action, whereas Ditko usually provides detailed backgrounds of the city or where ever the scene takes place. I know fans of Ditko point to his artwork on "Dr. Strange" as his best work, with its depiction of spells and strange dimensions, but I really think he did his finest work on "Spider-Man." However, it will not be until we get to Volume 3 of these Marvel Masterworks volumes that we get to his trilogy involving Dr. Octopus that remains one of the greatest Spidey stories.

The Terrible Tinkerer in issue #2 remains one of the comic book's biggest duds and my students found the Lizard laughable when they read these comics for class (I always had problems with issue #1 when Spidey lassoes John Jameson's space capsule), but there are mostly solid efforts in these first ten stories. Of course, the origin issue remains a classic, setting the template for the comic's entire history. Borrowing Dr. Doom from the FF for a battle is okay, but it is the original villains, especial Doc Ock that stand out. The Vulture makes two appearances, the Sandman shows up to knock some sense into our hero, and Electro's costume is over the top but his powers are semi-logical all things considered. The most important thing is that all of the elements which have defined Spider-Man for almost forty years are all established in these first eleven stories.
L'age d'or de spiderman
On ne présente plus aujourd'hui ce super héro de Stan Lee. Cépendant il est rare de pouvoir lire l'intégrale de ses premières aventures. La réedition de cette collection est remarquable. Les couleurs sont flamboyantes et les graphismes parfaits. Autant, le dire tout de suite, ce titre s'adresse aux amateurs avertis qui ont été bercés par les premiers épisodes. Steve Dikto offre lÃ son plus beau travail d'orfèvre, un trait précis et unique. Cette édition de luxe permet de retrouver des planches inédites en France (2 pages par épisode en moyenne). Dans ce volume, le décor est planté, le monde de Spiderman et de perter Parker se construit. L'aspet humain du héro demeure remarquable et attachant. On rencontre les principaux super-vilains qui affronteront Spiderman tout au long de sa carrière (Dr Octopus, le Caméléon, le vautour...). Alors maintenant, place au rêve de cet âge d'or de la BD made in USA, bonne lecture.

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